2013年10月13日星期日
A Wyoming County Court judge sentenced
The charge was in connection with a domestic incident in a parking lot.Wisniewski was charged later in 2003 with violation of probation. His next arrest was February 2004, on a bench warrant, for failure to appear in court on a charge of violating the conditions of his sentence.His next arrest was in September 2005 for aggravated criminal contempt, first-degree criminal contempt, first-degree coercion and repeated violations of an order of protection that barred him from any contact with a female victim.Wisniewski punched, head-butted and slapped the woman. The coercion count was for threats against the victim's 13-year-old son, whom Wisniewski prevented from calling the police.A Wyoming County Court judge sentenced him in April 2006 to 1 1/2 to three years incarceration for first-degree criminal contempt of court.Wisniewski spent 18 months behind bars and was paroled in September 2007. He didn't stay clear for long from the criminal justice system.Wisniewski was one of 15 suspects arrested in June 2008 as part of Operation Spring Cleaning, a six-month investigation by the Wyoming County Drug Task Force into the sale of controlled substances such as cocaine, hydrocodone, Oxycontin, Fentanyl and methadone.
He was convicted in March 2009 of fifth-degree criminal possession of a controlled substance, a Class D felony, and sentenced to 2 1/2 years in prison.Wisniewski was released to parole supervision in March of 2010. He was arrested again in December 2010 on charges of forcible touching and endangering the welfare of a child, a 16-year-old girl, in an incident that took place in the village of Attica, state police said at the time.Classical musicians possess a number of enviable qualities such as discipline, precision and attention to detail.In a symphonic setting, they play the notes from the musical score with incredible accuracy, commanding their instruments to play precisely what the composer has documented. Intricate details such as attack and release, volume, tempo and vibrato are carefully executed according to the detailed plans notated on their sheet music.But what happens when the sheet music gets lost? Or the ensemble takes an unexpected turn? What if the musician was required to deliver a stunning performance but had conflicting instructions and objectives?
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